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Joint PTV-PBC bid to hold na’at contest
By Afzal
Hussain Bokhari
In the jam-packed Sahibzada
Abdul Qayyum auditorium, a responsive crowd of men and women
broke into instant applause as Noorish Khalid, the well-dressed
schoolgirl from the scenic hill station Abbottabad, chanted with
perfect confidence the refreshingly new poetic lines in the
praise of the holy Prophet Mohammad (PBUH). Pakistan
Television’s Peshawar centre and local station of Radio Pakistan
were simultaneously recording the provincial ‘na’at’
competition, in which male and female contestants from places as
far away as Hangu and the new district of Tor Ghar (Pushto for
black mountain) had arrived with their parents, teachers or
guardians.
From PTV, producer Aurangzeb
Afridi under the supervision of his programme manager Aziz Ejaz
in the OB van while from Radio Pakistan, producer Abd-un-Nabi
along with his seniors, PM Syeda Iffat Jabbar and deputy
controller Laiq Zada Laiq, were busy issuing directions to three
cameramen and the compere Syed Ameer-ul-Hassan Zaidi.
In his first-floor office,
station director Sarfaraz Ahmad warmly received retired deputy
controller Mushtaq Shabab. Controller home Manzoor Ali Tanha,
also a short story writer, had specially arrived from Islamabad
to oversee the major Rabi-ul-Awwal event that had its origin in
the late 1970s and early 1980s. All three recalled the days when
Shabab was posted as programme manager at Multan radio and Tanha
and Sarfaraz worked as producers at their home station. Abasin
Arts Council recently arranged a get-together in City to launch
Ali Tanha’s collection of short stories titled “Bhool ki
ghantiyan”.
Out of 17 male participants
between 15 and 25 years of age, the top three positions were
grabbed respectively by Faisal Javed of Peshawar (1st), Syed
Naseer Ahmad Shah of Mansehra (2nd) and Amjad Ali of Lower Dir
(3rd). Similarly, out of six female participants, the top three
positions were won by Amnah Attaullah of Peshawar (1st), Amnah
Waheed of Abbottabad (2nd) and Zainab Nawaz of Haripur.
In the same manner, out of 17
male participants under the age of 15, the top three positions
were secured by Arbab Mohammad Hassaan of Peshawar (1st), Anzar
Khalid of Abbottabad (2nd) and Mohammad Azhar of Kohat (3rd).
Similarly, out of six female participants in this category, the
top three positions were taken by Noorish Khalid of Abbottabad
(1st), Anam Batool of
Peshawar (2nd) and Saima Batool
of Haripur (3rd). City philanthropist and frequent sponsor of
radio’s religious programmes Mian Akhtar Shafi gave away cash
prizes to the winners.
Those who judged the quality of
voice, the standard of religious poetry being recited, the
self-confidence of the contestants and the overall rendering of
the ‘na’at’ included Mushtaq Shabab (who retired as station
director of Abbottabad radio), Professor Sahib Islam of Peshawar
University’s Seerat Department and senior ‘na’at khwan’ Arbab
Zafarullah Khan, who started his career from Peshawar radio. As
the coincidence would have it, the winner of first position,
Arbab Mohammad Hassaan, happened to be Zafarullah’s son, who
clearly emerged as the winner purely on merit.
Speaking on the occasion, the
soft-spoken special guest Pir Noor-ul-Haq Qadri, former federal
minister and Chairman of Seerat Council, said that ‘na’at khwani’
was an art in which there were no losers as anyone who used
his/her voice in the praise of the holy Prophet (PBUH) was
virtually a winner in the metaphorical sense. In this regard, he
recalled a few lines from the Arabic poetry of writer Ahmad
Shauqi of Cairo, who happened to be a contemporary poet of
Allama Iqbal. He said that he had with him a CD containing
Shauqi’s poetry sung by famous Egyptian woman singer Umm-e-Kulsoom.
Taking his turn, provincial
Minister for Religious Affairs, Haji Namroz Khan, who presided
over the event, said that the holy Quran was the real
constitution for Muslims and if everyone followed the
injunctions of the Holy Book, there would be no injustice or any
act of extremism and terrorism. He lauded the efforts of PTV and
Radio Pakistan in organising the competition. He announced that
similar events would be organised in Pushto and Hindko.
As many as five
sponsors—including a publisher of religious books, a private
hospital and a medical store—had contributed gifts of books,
cloth and souvenirs for the organisers and participants. The
event took four to five hours and by the end of day the guests
as well as hosts showed signs of exhaustion. Prize distribution
ceremony was slightly marred by commotion and indiscipline.
With mixed feelings of grief and
shock, the literary circles in and outside of City received the
news that Pakistan-born writer Kartar Singh Duggal passed away
in New Delhi on January 26. Born on March 1, 1917 into the home
of Jiwan Singh Duggal and Satwant Kaur in village Dhamal in
Rawalpindi district, KSG did his MA in English from Lahore’s
Forman Christian College. Founder in
charge of Jallandar radio, he worked for All India Radio over
1942-66 in various capacities including as station director.
Director of National Book Trust
of India from 1966-73, he also served as an advisor in his
country’s ministry of information and broadcasting from 1973 to
1976. Winner of the coveted Padma Bhushan award in 1988, he also
got in 2007 the Sahitya Akademi Fellowship, the highest honour
given by the organisation. He was a fellow of the Punjabi
University in 1984 and a nominated member of Rajya Sabha in August, 1997.
In an obituary note by Press
Trust of India, carried with professional promptness by the
Asian Age newspaper, the agency admitted to the fact that in his
writings, Duggal never could shrug off the cultural baggage of
Pakistan's Punjab province. The environs of Pothohar, especially
its dialect, became an integral part of his works filled with
rich nostalgia and disarming intimacy.
Apart from his widow Ayesha, who
is a doctor, and a son, Duggal left behind 10 novels, 24
collections of short stories, seven plays, an equal number of
works of literary criticism, two collections of poems, an
autobiography and a rich stock of memories for his admirers. |